|
|
The Real Long John Silver |
| Henry |
Jonathan Preston |
| Madge |
Janette Preston |
| George |
Dave Barber |
|
Sisters |
| Irene |
Ailsa Oliver |
| Barbara |
Jenny Stewart |
| Katherine |
Val Howell |
|
The Right Time And Place |
| Dr Greenslade |
Sharon Burton |
| Ann Armstrong |
Joanne Coates |
|
Leonardo's Last Supper |
| Angelo Lasca |
Ray Rumkee |
| Maria |
Joanne Coates |
| Alphonso |
Neal Coulman |
| Leonardo |
Jonathan Preston |
|
Directed by Ray Rumkee |
|
|
| The Right Time And Place |
|
This replaced
another Peter Barnes two-hander about a pair of female
wrestlers, also to have featured Joanne and Sharon. They were
really up for it, too. Young girls. In spangly leotards.
Fighting. We could have attracted a whole new audience. Not to mention the
embarrassment potential of the photographs! |
| Director's Commentary |
|
A bit of a labour of love for me, this, as I put together four short
plays by one of my idols Peter Barnes. The first three were intended for radio,
so the fact that we pulled off stage versions of them remains a minor miracle.
'The Real Long John Silver' ended up with Dave Barber, Jonathan and Jeanette
Preston all hopping about the stage as pirates. 'The Right Time And Place'
had Joanne and Sharon both standing on a ledge threatening suicide, and 'Sisters' (about which David is WAY too scathing) had Jenny,
Ailsa and Val all playing sisters visiting each other in a hospital ward.
The night finished with 'Leonardo’s Last Supper' in which myself, Neal,
Joanne and Jonathan capered around a medieval set, which had been liberally
garnished with massive bones supplied by Jenny. Naturally enough for a Barnes
play; it all ends up with death and destruction. This was a great experience for me, and gave a huge number of Chameleons some really
challenging roles to have a bash at Ray
|
|
|
|
|
| Was I In That One? |
|
As this was his last
play it is an appropriate place to salute the stalwart
efforts and singular talents of Dave Barber. Always
reliable and specialising in crusty Colonels and other
authority figures who said "Dammit, Sir!" a lot,
whenever he forgot a character’s name he would address
them as "my dear" or "dear sir". He was also
responsible for the phrases "The audience won't
notice" and "Was I in that one?" We still
see him in the audience chuckling quietly to himself (and
that's during the serious plays). Rehearsals aren't the
same without you, Dave. |
|
|
| Quote, Unquote |
|
Loved
the play and enjoyed having blacked out teeth - a change from being a tart Joanne
The merits of the other pieces were outweighed by the indescribable
tedium of 'Sisters'
David
If any of you think that Janette and I practised at home for
the hopping crutch, aaarh Jim-me-lad 'sketch' well... ok, we did for
a bit, until the neighbours called the police out. What can you do with three ranting juvenile geriatrics and a
few stuffed parrots except batten down the hatches, splice the mainbrace and hoist
the Jolly Roger. And then Leonardo, why didn't anyone tell me to take off that
stupid white beard? This was a pythonesque sort of play but I
think by the time it came on the audience were either asleep or so bemused they
didn't know what to make of it. Nice try but a bit too fringe Jonathan
Peter Barnes is an acquired taste
with odd rhythms of speech. A member of the audience was concerned about me
losing my shoe (part of the plot) and asked if I got it back okay. Joanne gave
excellent performances in two contrasting roles Sharon
|
|
|
|