Is There Anybody There?

At The Changing Of The Year

by Lee Flewitt 

by Malcolm Young

a

Northern Theatre Studio2
March 17-19 2000

Two spine-chilling ghost stories. In Is There Anybody There? the last moments of a murdered prostitutes life are relived at a Victorian séance. One of the participants is the killer, but who is it? In At The Changing Of The Year it is New Year’s Eve and a mysterious parcel arrives for Lavinia, Mistress of the house. But the mistress of the house is Janet. An intriguing chiller that poses the question “Who are the ghosts?”

Is There Anybody There?

Mrs Carrington Jenny Stewart
Mary Tanya Platten
Hopkins Andy Hodgson
Lady Gilbert Val Howell
Lord Gilbert Dermot Rathbone
Dr Wilson Matti Kiviniemi
Miss Reid Janet Bartle
Capt Patterson Simon Kibblewhite
At The Changing Of The Year 
Ian Steve Clappison
Janet Helen Robinson
Dave Simon Kibblewhite
Julia Michelle Lloyd
Lavinia Tanya Platten
Edward Dermot Rathbone

Directed by David & Sharon Burton

*

Hopkins shows off his scar Dr Wilson defuses a tense situation
Ian and Janet receive a mysterious parcel

Lavinia and Edward see in the New YearDirector's Commentary  Not another set of one acts. Just what’s going on here, anyway? It came about because Ray was unable to direct the March play because of work commitments and nobody else fancied taking on the unenviable task. Neither did we, but it was either that or missing a production altogether. We knew that if we tried directing a full length play together we'd soon come to blows, so we decided to do a one short play apiece. It took us a while but we were able to find two plays with a complementary theme - and we hadn't done a good ghost story for a while. I gave Sharon her greatest part to date - "Dead whore behind the mirror" - one of a number of challenging special effects. The rehearsals were unusually smooth, the performances of a good standard and, as the whole thing was only 75 minutes long, we were able to get to the pub earlier! David
Okay, so I did it again, eight years on, despite vowing not to. David and I stepped in to direct a production at fairly short notice - we felt that directing two one act plays would be better for our marriage (but working odd shift patterns is the more valid reason) and we were lucky enough to find two GOOD one acts with a tenuous link. We had four new members, who we cast straight away, and three cast members who had only had only done one play with us before. The casts were great, the productions atmospheric and very well received, though I'm in no hurry to direct again
Sharon

Was I In That One?  Chameleon debuts for Steve, Tanya, Janet and Michelle after we had advertised for young women. We can only assume that Steve must have misread the ad - or there's something he's not telling us! Our stock of eligible young starlets had been depleted despite (or perhaps because of) Ray describing us in the Hull Daily Mail as “Pull Central”.

Quote, Unquote  My first production. Aaah. It was OK Steve
Great special effects, not just a wig stuck out of a basket or me and David as horses
Phil
Always enjoy costume dramas, liked playing the clairvoyant, and talking to Red Indians!
Jenny
Love a good ghost story, the effects were excellent
Joanne
Great costumes and a great bimbo character
Janet

a