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Cast |
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| Agnes |
Claire
Dean |
| Elizabeth |
Mary
Rose |
| Suzy/Gertie |
Miranda
van Rossum |
| Kitty/Laetitia |
Sharon
Burton |
| Callum |
Ed Dixon |
| Ina/Lavender |
Val
Howell |
| Alec/Merric |
Jonathan
Preston |
| Rev. Scobie |
Steve
Clappison |
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Directed by Ailsa Oliver |
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* |
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Director's
Commentary I knew even before I
read the script that I had to do this play. Kate Atkinson’s
novels are superb, and I had high hopes for this, which
were confirmed once I read it. The cast, once the final
group were established, were magnificent, the poster was
inspired, and the music was wonderful. I missed Helen a
lot, but special praise to Claire for stepping in at such
short notice and doing a fantastic job. I will always
remember INTERMINABLE periods of the cast sitting at
the table eating (Somehow, though, the dialogue made it
ok!), Ed’s ripped jeans (Ooooooooh!), Sharon’s
predatory pounce on Ed and Jonathan’s tripod collapsing
on the first night. He managed to work round it but the
feeling of tension was palpable! A marvellous play to be
involved with Ailsa |
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Quote,
Unquote Yet another play where any action I was supposedly getting took place offstage. I
do know everything I never wanted to know about Chaos Theory now, though. And
I really enjoyed doing the drunk scene with Ed and Mary Miranda
Jonathan made me laugh, literally, all through rehearsals and even
during performances - coming on half undressed on Sunday
night nearly set me off and I was supposed to be upset! Sharon
Good performances but the play was very,
very similar to Experiment With An Air Pump by
Sheelagh Stevenson. I think Ms Atkinson tried to
cram too many ideas into one play
David
A very moving but also funny story
and an excellent performance
from Mary. I especially liked the scene where
Jonathon played the photographer in both time
periods Joanne |
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The
Critics Rave
"This
was an atmospheric and moving production", gushed the Hull Daily Mail,
"in which the sometimes savage humour of the lines was offset by the
chilling and ghostly atmosphere. The events of today had bizarre echoes of
those of 100 years ago and, in a brilliant twist, many of the characters in
the Victorian drama which we also see being played out, were performed by the
same cast members, giving an eerie sense of deja-vu which built to a moving
conclusion". |
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Quote,
Unquote
A big Chameleon welcome
for Mary and, especially, Claire who only had two weeks to learn her part
after Helen was forced to drop out. |
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